Robert Morrison & Chris Baldick – Tales Of Terror From ‘Blackwood’s Magazine

Robert Morrison & Chris Baldick (ed’s.) – Tales Of Terror From ‘Blackwood’s Magazine (Oxford University Press, 1996)

Robert Morrison & Chris Baldick – Introduction
Note on the Text
Select Bibliography
Chronology of Blackwood’s Magazine

‘P. F.’ (Patrick Fraser-Tytler) – Sketch of a Tradition Related by a Monk in Switzerland (June, 1817)
‘Tweedside’ (Sir Walter Scott) – Narrative of a Fatal Event (March, 1818)
Anon. (John Wilson) – Extracts from Gosschen’s Diary (Aug., 1818)
‘E.’ (Daniel Keyte Sandford) – A Night in the Catacombs (Oct., 1818)
Anon. (John Galt) – The Buried Alive (Oct., 1821)
Anon. (John Howison) – The Floating Beacon (Oct., 1821)
Anon (William Maginn) – The Man in the Bell (Nov., 1821)
Anon – The Last Man (March, 1826)
Anon (Henry Thomson) – Le Revenant (Apr., 1827)
Anon (Catherine Sinclair) – The Murder Hole (Feb., 1829)
Anon (Michael Scott) – Heat and Thirst, —A Scene in Jamaica (June, 1830)
By “The Author of ‘First and Last’” (William Mudford) – The Iron Shroud (August, 1830)
‘The Ettrick Shepherd’ (James Hogg) – The Mysterious Bride (Dec., 1830)
‘Syphax’ (William Godwin the Younger) – The Executioner (Feb., 1832)
Anon (Samuel Warren) – A ‘Man about Town’ (Dec., 1830)
Anon (Samuel Warren) – The Spectre-Smitten (Feb., 1831)
Anon (Samuel Warren) – The Thunder-Struck and The Boxer (Sept., 1832)

Robert Morrison & Chris Baldick – Biographical Notes
Robert Morrison & Chris Baldick – Explanatory Notes.

Blurb:
The tales of terror and hysteria published in the heyday (1817-32) of Blackwood’s Edinburgh Magazine became a literary legend in the nineteenth century. Blackwood’s was the most important and influential literary-political journal of its time, and a major institution not just in Scottish letters but in the development of British and American Romanticism. Intemperate in political polemic and feared for its literary assassinations, the magazine became just as notorious for the shocking power of its fictional offerings. These set a new standard of concentrated dread and precisely calculated alarm, and were to establish themselves as a landmark in the development of the short magazine story. The influence of Blackwood’s quickly reached many major authors, including Dickens, Emily Bronte, Robert Browning, and Edgar Allan Poe. This edition selects some of the best and most representative tales from the magazine’s first fifteen years, including work by Walter Scott, James Hogg, and John Galt, alongside talented but now almost forgotten figures like William Mudford, William Godwin (son of the philosopher), and Samuel Warren. This book is intended for students of Romantic literature, Gothic, Sensational writing, of the nineteenth century.

Ernest Rhys & M. Larigot – The Haunted And The Haunters

Ernest Rhys & M. Larigot (ed.) – The Haunted And The Haunters (Donald O’Connor, 1921;  Aegypan, 2007)

Reissued by Aegypan Press of North Hollywood, 2007. Prefer to read it all online? Short, Scary Ghost Stories

Cover of 2007 reissue

Ernest Rhys – Introduction

I. GHOST STORIES FROM LITERARY SOURCES

Edgar Allan Poe – The Fall Of The House Of Usher
George MacDonald – The Old Nurses Story
Thomas Hardy – The Superstitious Man’s Story
Boccaccioa – A Story Of Ravenna
Douglass Hyde [Trans] – Teig O’Kane And The Corpse
E. Bulwer Lytton – The Haunted And The Haunters
R. S. Hawker – The Bothanan Ghost
Arnold Bennett – The Ghost Of Lord Clarenceux
Arthur Machen – Dr Duthoit’s Vision
John Wilson – The Seven Lights
Anonymous – The Spectral Coach Of Blackadon
William Hunt – Drake’s Drum
William Hunt – The Spectre Bridegroom
Greville MacDonald – The Pool In The Graveyard
William Carleton – The Liahan Shee
Sir George Douglas – The Haunted Cove
Sir Walter Scott – Wandering Willie’s Tale

II. GHOST STORIES FROM LOCAL RECORDS, FOLK LORE, AND LEGEND

Anonymous – Glamis Castle
Anonymous – Powys Castle
Augustus Hare – Croglin Grange
Joseph Glanvil – The Ghost of Major Sydenham
Anonymous – Miraculous Case of Jesch Claes
Anonymous – The Radiant Boy of Corby Castle
Anonymous – Clerk Saunders
Mrs Catherine Crowe – Dorothy Durant
C. K. Sharpe – Pearlin Jean
Anonymous – The Denton Hall Ghost
Anonymous – The Goodwood Ghost Story
Dale Owen – Captain Wheatcroft
Mrs Catherine Crowe – The Iron Cage
William Hunt – The Ghost of Rosewarne
Joseph Glanvil – The Iron Chest of Durley
Anonymous – The Strange Case of M. Bezeul
Anonymous – The Marquis de Rambouillet
Anonymous – The Altheim Revenant
Anonymous – Sertorius and His Hind
E. W. Godwin – Erichto

III. OMENS AND PHANTASMS

E.H. Blakeney [Trans] – Patroklos [from The Iliad]
“Arise Evans” – Vision of Cromwell
Rev. John Mastin – Lord Stafford’s Warning
Ferrier – Kotter’s Red Circle
Anonymous – The Vision of Charles XI of Sweden
Drummond – Ben Jonson’s Prevision
Anonymous – Queen Ulrica and the Countess Steenbock
Anonymous – Denis Misanger
Anonymous – The Pied Piper
Ferrier – Jeanne D’Arc
Anonymous – Anne Walker
Henderson – The Hand of Glory
Anonymous – The Bloody Footstep
Anonymous – The Ghostly Warriors of Worms
Anonymous – The Wandering Jew in England
Edmund Jones – Bendith Eu Mammau
John F. Campbell – The Red Book of Appin
Anonymous – The Good O’Donoghue
William Hunt – Sarah Polgrain
William Godwin – Eleanor Cobham, Duchess of Gloucester

The Aegypan edition drops the co-credit although it’s clear from Rhys’ introduction that this compilation of folklore, fact, ‘fact’, legend and fiction is all the mysterious M. Larigot’s work!

In this Ghost Book, M. Larigot, himself a writer of supernatural tales, has collected a remarkable batch of documents, fictive or real, describing the one human experience that is hardest to make good. Perhaps the very difficulty of it has rendered it more tempting to the writers who have dealt with the subject. His collection, notably varied and artfully chosen as it is, yet by no means exhausts the literature, which fills a place apart with its own recognised classics, magic masters, and dealers in the occult. Their testimony serves to show that the forms by which men and women are haunted are far more diverse and subtle than we knew. So much so, that one begins to wonder at last if every person is not liable to be “possessed.”